press articles
fragmentary selection

<p>Die Presse / Austrian Daily, 17.11.2022 - Almunth Spiegler „Das MAK MAK man eben?“ ("Do you like the MAK?") </p><p>Almuth Spiegler writes an essay under this title (a pun that can only be understood in German) and at the same time she titles the answer to it (with an adequate pun): "It would be better to talk about it!“ She refers to the new graphic CI and the associated advertising slogans.</p><p>(…) I like the MAK and I want to go in now," proclaims the huge banner that stretches across the street of the museum entrance. At the end of this hopeful advertising rainbow, at this entrance, it says "no entry". The potential MAK visitor is sent around the corner to the front entrance. However, there was a time, under director Peter Noever, when the side entrance was perceived as the main entrance, when today's British-Indian superstar Anish Kapoor thundered his lipstick cannon into the corner of the mighty exhibition hall. Or Franz West doused a Maserati with pink paint for the vernissage. 20 years ago. In retrospect, the discussion about what such contemporary art had to do with the MAK, of all places, seems a bit narrow-minded. The house was the subject of constant debate at the time and has nourished legends to this day. What more could a museum ask for? (…) </p><p>© archive studio no/ever</p>
<p>Falter 39/22, Matthias Dusini, Vienna 2022 © archive studio no/ever</p><p>For one day, designer and former MAK director Peter Noever opened his masterpiece to the public. This past Sunday, the "Heritage Day", it was possible to visit "The Pit / Die Grube", a land art project started in the early 1970s in Breitenbrunn on Lake Neusiedl. Among art and architecture connoisseurs, "Die Grube" is considered an insider tip, and rightly so, because what Noever and artist friends such as Walter Pichler have self-organized in the Pampa, is a sensation. There is hardly any other place where the interplay between sculpture, nature and architecture succeeds in this quality.The starting point is a wine cellar built of sandstone. Noever had the back opened, bringing light to the end of the tunnel. Then he cut a narrow passage leading on from the cellar into a hill. Steep stairs, bordered by whitewashed walls, lead up to the heights, an interplay between oppressive confinement and redeeming expanse opening up to the landscape.Gradually, minimalist sculptures emerged in the area rutted by rocks, pits, and hills, such as a field of concrete cubes reminiscent of Peter Eisenman's Berlin Holocaust Memorial. A bit of irony also resonates with the monumental self-realization. For example, the designer conceived an outhouse made of exposed concrete.The user climbs up steps as if onto a throne and does not have to be alone in the quiet lavatory - two openings are provided. The Federal Monuments Office placed "The Pit" under protection. Now is the time to make it available for museum-use - for a do-it-yourself project of world format.</p><p>Matthias Dusini is head of Feuilleton and would like to see a major Peter Noever exhibition.©</p>
<p>"The facade reader / Der Fassadenleser", Weekly Newsletter by Klaus-Jürgen Bauer for Falter Magazin, Vienna March 31, 2022 © archive studio noever</p>
<p>"Jubilee of a century building / Jubiläum eines Jahrhundertbaus", Nicole Scheyerer, for ORF.at, Vienna, March 30, 2022 © archive studio noever</p>
<p>"The poetry of the landscape / Die Poesie der Landschaft", Sebastian Hafner for Progress - Magazin der österreichischen Hochschülerschaft, Vienna, March 29, 2022 © archive studio noever</p>
<p>"Schindler would give away more", Die Presse<br />Vienna, March 29, 2022 @ archive studio noever<br />https://www.diepresse.com/6118494/schindler-wuerde-mehr-hergeben</p>
<p>Baunetz 2021 © archive studio no/ever</p>
<p>Architektur Raumburgenland, Eisenstadt 2021 © archive studio no/ever</p>
<p>Austrian Architekts 2021 © archive studio no/ever</p>
<p>Bauwelt Magazin 2021 © archive studio no/ever</p>
<p>ORF Burgenland Heute, 2021 © archive studio no/ever</p>
<p>Ö1 Leporello, Erkundung im Umland © archive studio no/ever</p>
<p>ORF ZIB, Landschaftskunstwerk von Peter Noever © archive studio no/ever</p>
<p>ORF Burgenland Heute, 2021 © archive studio no/ever</p>
<p>Fiona Dinkelbach, The Dashing Rider, 2021 © archive studio no/ever</p>
<p>Fiona Dinkelbach, The Dashing Rider, 2021 © archive studio no/ever</p>
<p>Deutsche Bauzeitung © archive studio no/ever</p>
<p>Die Presse 2021 © archive studio no/ever</p>
<p>Die Stadtspionin, Landpartie Newsletter 2021 © archive studio no/ever</p>
<p>EstherArtNewsletter.com, 2021 © archive studio no/ever</p>
<p>Kunstaspekte, 2021 © archive studio no/ever</p>
<p>Marlowes, 2021 © archive studio no/ever</p>
<p>Tiroler Tageszeitung, Innsbruck/Austria November 20, 2021 © archive studio no/ever</p>
<div id="mbTitle"><p>Essay by Peter Noever for „Realisierte Visionen (Realised Visions)“, Klaus Bollinger, Institute of Architecture, University for Applied Art, Vienna, 2021</p></div>
<p><span>Cover for Michael Schottenberg's book "Burgenland für Entdecker", Amalthea Verlag, 2021</span></p>
<p><span>Article by Michael Schottenberg in the book "Burgenland für Entdecker", Amalthea Verlag, 2021</span></p>
<p><span>Article by Michael Schottenberg in the book "Burgenland für Entdecker", Amalthea Verlag, 2021</span></p>
<p><span>Article by Michael Schottenberg in the book "Burgenland für Entdecker", Amalthea Verlag, 2021</span></p>
<p><span>Article by Michael Schottenberg in the book "Burgenland für Entdecker", Amalthea Verlag, 2021</span></p>
<p>„Basements vs. garages, the enlightment of the underground“, online article by Mark Mack for domusweb.it, 13 May 2021 - archive peter noever</p>
<p>„Basements vs. garages, the enlightment of the underground“, online article by Mark Mack for domusweb.it, 13 May 2021 - archive peter noever</p>
<p>„Basements vs. garages, the enlightment of the underground“, online article by Mark Mack for domusweb.it, 13 May 2021 - archive peter noever</p>
<p>„Basements vs. garages, the enlightment of the underground“, online article by Mark Mack for domusweb.it, 13 May 2021 - archive peter noever</p>
<p>FALTER.morgen, The Viennese Newsletter, May 7, 2021 - archive peter noever</p>
<p>“fair” 01/2020, Magazine for Art & Architecture - archive peter noever</p>
<p>"Christo and Vienna" by Peter Noever (published in “fair” magazine 01/2020) - archive peter noever</p>
<p>Peter Noever, Center for Understanding Media. Project for the Bombay Beach Biennale, 2019 presented at the Museum of Unwanted Architecture on the occasion of the Biennale (courtesy Marshall McLuhan, 1979 / Walter Pichler, 1970). In 1974 Noever visited Marshall McLuhan at the Center for Culture and Technology, University of Toronto. In 1979 they founded the Center for Understanding Media in Vienna together with ORF avant-garde program designers Hans Preiner and Barrington Nevitt (President: McLuhan). In 1972 Walter Pichler realized his sitting pits, his first stationary sculpture, in Noever’s land art project “The Pit”. This project for public space links the work of the sculptor with that of the media theorist. (published in “fair” magazine 01/2020)</p>
<p>Peter Noever, Center for Understanding Media. “[…] art in public space is both an imposition and a refuge […] (published in “fair” magazine 01/2020)</p>
<p>18 contemporary art interventions in public space by Peter Noever (in Vienna, Venice, Hollywood, Los Angeles, St. Pölten, Bombay Beach), 1991–2019 (published in “fair” magazine 01/2020)</p>
<p>The Pit, Peter Noever’s land art project (aerial view) with a text by Michael D. Sorkin (published in “fair” magazine 01/2020)</p>
   
<p>„Deskless office“ by peter noever, md - moebel interior design 4 / 1971 (design magazine - Stuttgart - Germany) - archive peter noever</p>
           
<p>Wiener Zeitung, Vienna June 1st 2020 https://www.wienerzeitung.at/nachrichten/kultur/kunst/2062558-Die-Welt-zum-Museum-machen.html</p>
<p><strong>“An Art Tour through the Land of Forced Smiles”</strong> — “Art is the only social force capable of overcoming boundaries” according to a quote by Peter Noever. As early as 2010, Noever presented the first major and comprehensive exhibition on North Korean (The Democratic People’s Republic of Korea) art and architecture at the MAK in Vienna. To this day, this large-scale exhibition “Flowers for Kim Il Sung”, accompanied by a comprehensive catalog, represents a unique exploration of culture from this country. (“Kurier”, daily newspaper, Vienna, 14 August 2019, article by Marco Weise)</p>
<p>Lebbeus Woods, progetto per il Meta-Institute di Havana, 1995 (fonte: Peter Noever (a cura di), The Havana Project. Architecture Again: International Conference on Architecture, Havana, Cuba, Prestel, Munich, 1996, p. 142).</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>Doctoral thesis / Dottorando: Massimo Mucci, architect. Interview with Peter Noever (page 285 – 296) University of Iuav, Venice, Italy. Published 2019 (380 pages) under the title “Experimental architecture and Utopia”: L’architettura di Lebbeus Woods tra immaginazione figurativa e decostruttivismo linguistico. Scuola di dottorato: Prof.Agostino De Rosa; Prof. Gundula Rakowitz, Prof. Guido Zuliani, Arch. Carlotta Torricelli.</p>
<p>“Institutions like “kunstforum”, which are not under the curatorship of the state, are important for the hygiene of the cultural landscape and for the renunciation of centralism, judges<strong> Peter Noever</strong>, former director of the MAK: “especially in Vienna, where generally a mood hostile to art prevails and “banausen” decide on art. And that’s when <strong>Ingried Brugger</strong> managed to create her own position.” Peter Noever in the article by Thomas Miessgang “Die Kunstpartisanin” in “<strong>Die Zeit”</strong>, Hamburg / Germany 13 June 2019 on the director of the “Bank Austria Kunstforum”, Ingried Brugger.</p>
<p>“Institutions like “kunstforum”, which are not under the curatorship of the state, are important for the hygiene of the cultural landscape and for the renunciation of centralism, judges<strong> Peter Noever</strong>, former director of the MAK: “especially in Vienna, where generally a mood hostile to art prevails and “banausen” decide on art. And that’s when <strong>Ingried Brugger</strong> managed to create her own position.” Peter Noever in the article by Thomas Miessgang “Die Kunstpartisanin” in “<strong>Die Zeit”</strong>, Hamburg / Germany 13 June 2019 on the director of the “Bank Austria Kunstforum”, Ingried Brugger.</p>
<p>“Institutions like “kunstforum”, which are not under the curatorship of the state, are important for the hygiene of the cultural landscape and for the renunciation of centralism, judges<strong> Peter Noever</strong>, former director of the MAK: “especially in Vienna, where generally a mood hostile to art prevails and “banausen” decide on art. And that’s when <strong>Ingried Brugger</strong> managed to create her own position.” Peter Noever in the article by Thomas Miessgang “Die Kunstpartisanin” in “<strong>Die Zeit”</strong>, Hamburg / Germany 13 June 2019 on the director of the “Bank Austria Kunstforum”, Ingried Brugger.</p>
<p>“Institutions like “kunstforum”, which are not under the curatorship of the state, are important for the hygiene of the cultural landscape and for the renunciation of centralism, judges<strong> Peter Noever</strong>, former director of the MAK: “especially in Vienna, where generally a mood hostile to art prevails and “banausen” decide on art. And that’s when <strong>Ingried Brugger</strong> managed to create her own position.” Peter Noever in the article by Thomas Miessgang “Die Kunstpartisanin” in “<strong>Die Zeit”</strong>, Hamburg / Germany 13 June 2019 on the director of the “Bank Austria Kunstforum”, Ingried Brugger.</p>
<p>“Institutions like “kunstforum”, which are not under the curatorship of the state, are important for the hygiene of the cultural landscape and for the renunciation of centralism, judges<strong> Peter Noever</strong>, former director of the MAK: “especially in Vienna, where generally a mood hostile to art prevails and “banausen” decide on art. And that’s when <strong>Ingried Brugger</strong> managed to create her own position.” Peter Noever in the article by Thomas Miessgang “Die Kunstpartisanin” in “<strong>Die Zeit”</strong>, Hamburg / Germany 13 June 2019 on the director of the “Bank Austria Kunstforum”, Ingried Brugger.</p>
<p>„Raiding Project“ gibt Einblicke in Hagenbergs Arbeit. Ein Buch über die vergangenen zehn Jahre in Raiding zeigt nun, wie sich Roland Hagenberg seinem Projekt angenähert hat. „Das ist einfach notwendig, wenn solche Dinge passieren und es ist toll, dass so etwas gemacht wird und auch mit einem Durchhaltevermögen über zehn Jahre, weil alles ist in Bewegung und ich glaube, gerade die Kunst oder die Architektur, wenn es in einer hohen Qualität ist, ermöglicht einen Anstoß oder auch eine Orientierung“, so der Kunstexperte Peter Noever. (https://burgenland.orf.at/stories/3000826/)</p>
<p>“Fountain” by Brigitte Kowanz — article “Eine Stadt im Wandel”, News 14-2019, Vienna, Austria. Photography: Ricardo Herrgott</p>
<p>“Fountain”, fair magazin 2/2017, Vienna, Austria</p>
<p>Kurier, 11 November 2017, Vienna. Interview with Mimy Noever by Ro Raftl 1/4 (photo: Eva Schlegel / archive peter noever)</p>
<p>Kurier, 11 November 2017, Vienna. Interview with Mimy Noever by Ro Raftl 2/4 (photo: Eva Schlegel / archive peter noever)</p>
<p>Kurier, 11 November 2017, Vienna. Interview with Mimy Noever by Ro Raftl 3/4 (photo: Eva Schlegel / archive peter noever)</p>
<p>Kurier, 11 November 2017, Vienna. Interview with Mimy Noever by Ro Raftl 4/4 (photo: Eva Schlegel / archive peter noever)</p>
<p>Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Photo by Lars Petter Pettersen</p>
<p>Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Photo by Lars Petter Pettersen</p>
<p>Interview with Rolf Fehlbaum in Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Translation by Christopher Roth (1/4)</p>
<p>Interview with Rolf Fehlbaum in Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Translation by Christopher Roth (2/4)</p>
<p>Interview with Rolf Fehlbaum in Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Translation by Christopher Roth (3/4)</p>
<p>Interview with Rolf Fehlbaum in Rondo, 17 August 2017, Vienna. Interview by Michael Hausenblas, Translation by Christopher Roth (4/4)</p>
<p>31 May 2017, Die Presse, Vienna, „Nie wieder Antritts-Pressekonferenzen!“ by Almuth Spiegler</p>
<p>Vito Acconci 1940–2017 by Roland Schöny<br />Artmagazine.cc, 29 April 2017</p>
<p>“Gewinn” magazine, January 2017, Vienna. Austrian artist ranking</p>
<p>ENGLISH: Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 1/4)</p>
<p>ENGLISH: Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 2/4)</p>
<p>ENGLISH: Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 3/4)</p>
<p>Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 4/4)</p>
<p>Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 1&2/4)</p>
<p>Diva Wohnen, December 2016, Vienna. Interview by Yasmin El Mohandes, Photos by Udo Titz (page 3&4/4)</p>
<p>Too much lightning-storm for Noever and Husslein-Arco – they took it easy! below: Host and Dorotheum director Martin Böhm with Krone Newspaper Editor Christoph Dichand. – Kronenzeitung, Vienna, Austria, 16 November 2016</p>
<p>Austria Presse Agentur, Vienna, 29 April 2016 (archive peter noever)</p>
<p>Tiroler Tageszeitung, Innsbruck, 28 April 2016 (archive peter noever)</p>
<p>Tiroler Tageszeitung, Innsbruck, 28 April 2016 (archive peter noever)</p>
<p>Salzburger Nachrichten, Salzburg, 4 May 2016 (archive peter noever)</p>
<p>Salzburger Nachrichten, Salzburg, 4 May 2016 (archive peter noever)</p>
<p>Austrian weekly news magazine „profil“, Vienna, 4 April 2016</p>
<p>Kurier, Vienna, 28 February 2016 (archive peter noever)</p>
<p>Neue Zürcher Zeitung, Zürich, 18 February 2016 (archive peter noever)</p>
<p>Der Standard, Vienna, 28 January 2016 (archive peter noever)</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>September 2015, A Priori Magazine, Vienna</p>
<p>31 August 2015, Profil, Weekly Magazine, Vienna</p>
<p>Kurier, Vienna, 12 May 2015 (archive peter noever)</p>
<p>Der Standard, Vienna, 12 May 2015 (archive peter noever)</p>
<p>art – das kunstmagazin, Hamburg, Germany, 5 March 2015 (1/3)</p>
<p>art – das kunstmagazin, Hamburg, Germany, 5 March 2015 (2/3)</p>
<p>art – das kunstmagazin, Hamburg, Germany, 5 March 2015 (3/3)</p>
<p>Wiener Zeitung, Vienna, Austria, 6 March 2015</p>
<p>Die Presse, Vienna, Austria, 8 March 2015 (1/2)</p>
<p>Die Presse, Vienna, Austria, 8 March 2015 (2/2)</p>
<p>L’Espresso, Italy, 6 March 2015</p>
<p>Il mattino di Padova, Padova, Italy, 2 March 2015 (1/2)</p>
<p>Il mattino di Padova, Padova, Italy, 2 March 2015 (2/2)</p>
<p>Die Presse, Vienna, Austria, 27 February 2015</p>
<p>Der Standard, Vienna, Austria, 27 February 2015</p>
<p>Radio OE1, Vienna, Austria, 26 February 2015 (1/2)</p>
<p>Radio OE1, Vienna, Austria, 26 February 2015 (2/2)</p>
<p>Salzburger Nachrichten, Salzburg, Austria, 26 February 2015 (1/3)</p>
<p>Salzburger Nachrichten, Salzburg, Austria, 26 February 2015 (2/3)</p>
<p>Salzburger Nachrichten, Salzburg, Austria, 26 February 2015 (3/3)</p>
<p>Inside Art, Rome, Italy, 26 February 2015</p>
<p>Kurier, Vienna, Austria, 2 March 2015 (1/2)</p>
<p>Kurier, Vienna, Austria, 2 March 2015 (2/2)</p>
<p>Format, Vienna, 20 February 2015 (1/2)</p>
<p>Format, Vienna, 20 February 2015 (2/2)</p>
<p>Profil, Vienna, 23 February 2015</p>
               
<p>"A beautiful corpse by the danube" - Salzburger Nachrichten, 2014</p>
<p> "A beautiful corpse by the danube" - Salzburger Nachrichten, 2014</p>
<p><span>Interview with Peter Noever in MISE 1984, August 2014 (cover)</span></p>
<p><span>Interview with Peter Noever in MISE 1984, August 2014 (interview)</span></p>
 
<p>Interview by Daria Kravchuk in “Iskusstvo – The Art Magazine”, 4/2013, Moscow (1/2) — © archive peter noever</p>
<p>Interview by Daria Kravchuk in “Iskusstvo – The Art Magazine”, 4/2013, Moscow (2/2) — © archive peter noever</p>
<p>Interview by Daria Kravchuk in “Iskusstvo – The Art Magazine”, 4/2013, Moscow – english translation<span>	</span>(1/3) — © archive peter noever</p>
<p>Interview by Daria Kravchuk in “Iskusstvo – The Art Magazine”, 4/2013, Moscow – english translation	(2/3) — © archive peter noever</p>
<p>Interview by Daria Kravchuk in “Iskusstvo – The Art Magazine”, 4/2013, Moscow – english translation	(3/3) — © archive peter noever</p>
<p>Art Newspaper, London, 13 November 2013</p>
<p>Der Standard, Wien, 23.10.2013 – International architecture symposia Steinhaus (Mark Mack, Peter Noever at Günther Domenig’s Steinhaus, Carinthia, Austria)</p>
<p>NCCA, Moscow - International competition for the architectural concept of the new building for National Centre for Contemporary Arts – Peter Noever, jury member</p>
<div class="page" title="Page 1">NCCA, Moscow - International competition for the architectural concept of the new building for National Centre for Contemporary Arts – Peter Noever, jury member</div>
<p>NCCA, Moscow - International competition for the architectural concept of the new building for National Centre for Contemporary Arts – Peter Noever, jury member</p>
<p>NCCA, Moscow - International competition for the architectural concept of the new building for National Centre for Contemporary Arts – Peter Noever, jury member</p>
<p>kommersant, moscow, 8 april 2013</p>
<p>kommersant, moscow, 8 april 2013</p>
<p>„Erinnerungen“ – Herausgeber: Paul Mahringer und Ruth Pauli, 2013 Eigenverlag</p>
<p>„Erinnerungen“ – Herausgeber: Paul Mahringer und Ruth Pauli, 2013 Eigenverlag</p>
<p>„Erinnerungen“ – Herausgeber: Paul Mahringer und Ruth Pauli, 2013 Eigenverlag</p>
<p>news, vienna, 15 april 2013</p>
<p>news, vienna, 15 april 2013</p>
<p>domus (issue 965), milano, january 2013</p>
<p>domus (issue 965), milano, january 2013</p>
<p>2012/10/05 Der Standard, Wien – Ein Steinhaus und viele Fragen</p>
<p>2012/09/29 KTZ (Kärntner Tageszeitung), Klagenfurt – Never Again Resistance?</p>
<p>2012/09/24, Profil, Vienna</p>
<p>2012/08/23 Kleine Zeitung, Klagenfurt – Seligsprechung eines Revoluzzers</p>
<p>2012/08/16, Der Standard, Vienna – Ungewisse Zukunft für kühne Architektur</p>
<p><span>Ross Lovegrove: Kosmische Kräfte, Interview vom 07.06.2012 in: Die Presse, Wien (1/2)</span></p>
<p><span>Ross Lovegrove: Kosmische Kräfte, Interview vom 07.06.2012 in: Die Presse, Wien (2/2)</span></p>
<p>STP Live, July 6, 2012</p>
<p>LA Weekly January 2012, Los Angeles</p>
<p>KCRW Blog - RODARTE and the Secret Underground World of Warholal and WHO’S YOUR DADA (1/2)</p>
<p>KCRW Blog - RODARTE and the Secret Underground World of Warholal and WHO’S YOUR DADA (2/2)</p>
<p>Archinect - The Secret Return of Noever (1/2)</p>
<p>Archinect - The Secret Return of Noever (2/2)</p>
<p>article in “die presse” (vienna) by thomas vieregge, december 12, 2011</p>
<p>World Architects Day 2011, Moscow</p>
<p>Die Zeit, September 2011, Hamburg</p>
<p>Helmut Lang Interview, July, Kurier, Vienna</p>
<p>Guest article by Julius Deutschbauer, July 2011, Presse, Wien</p>
<p>Der Standard, June 2011, Vienna</p>
<p>Art Lies No. 68, Spring/Summer 2011, Houston, Texas</p>
<p>Art Lies No. 68, Spring/Summer 2011, Houston, Texas</p>
<p>Art Lies No. 68, Spring/Summer 2011, Houston, Texas</p>
<p>Art Lies No. 68, Spring/Summer 2011, Houston, Texas</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Art Chronika, April 2011, Moscow</p>
<p>Profil No. 13, March 2011, Wien</p>
<p>ST/A/R Wien / Berlin, Spring 2011</p>
<p>Angeleno, September 2010, Los Angeles</p>
<p>Angeleno, September 2010, Los Angeles</p>
<p>Angeleno, September 2010, Los Angeles</p>
<p>New York Times, 15 August 2010</p>
<p>New York Times, 15 August 2010 (1/2)</p>
<p>New York Times, 15 August 2010 (2/2)</p>
<p>International Herald Tribune, 17 August 2010 (1/2)</p>
<p>International Herald Tribune, 17 August 2010 (2/2)</p>
<p>Los Angeles Times, 20 June 2010 (1/2)</p>
<p>Los Angeles Times, 20 June 2010 (2/2)</p>
         
<p>"Concrete Utopia" by Peter-Noever - MAK Wien, ca. 2009  – archive peter noever</p>
<p>"Concrete Utopia" by Peter-Noever - MAK Wien, ca. 2009  – archive peter noever</p>
<p>"Concrete Utopia" by Peter-Noever - MAK Wien, ca. 2009  – archive peter noever</p>
<p>"Concrete Utopia" by Peter-Noever - MAK Wien, ca. 2009  – archive peter noever</p>
<p>Conversation with Peter Noever - DOMUS Magazine for Architecture, Design and Art Lovers, 2009 – archive peter noever</p>
<p>Conversation with Peter Noever - DOMUS Magazine for Architecture, Design and Art Lovers, 2009 – archive peter noever</p>
<p>Conversation with Peter Noever - DOMUS Magazine for Architecture, Design and Art Lovers, 2009 – archive peter noever</p>
<p>Conversation with Peter Noever - DOMUS Magazine for Architecture, Design and Art Lovers, 2009 – archive peter noever</p>
<p>Conversation with Peter Noever - DOMUS Magazine for Architecture, Design and Art Lovers, 2009 – archive peter noever</p>
<p>Project Baltia, February 2008 (1/4)</p>
<p>Project Baltia, February 2008 (2/4)</p>
<p>Project Baltia, February 2008 (3/4)</p>
<p>Project Baltia, February 2008 (4/4)</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>Noever jetzt – Peter Noever im Interview mit Thomas Redl und Heidulf Gerngross, 27. November 2006 im MAKI — ST/A/R 41, 12/2006</p>
<p>„Deskless office“ by peter noever, md - moebel interior design 4 / 1971 (design magazine - Stuttgart - Germany) - archive peter noever</p>
061127-star-mak-insight-interview-noever-redl-gerngross-8
 
<p>http://www.spiegel.de/spiegel/print/d-9160206.html – Bauen mit links — Der Spiegel, Hamburg, 2/1995</p>
<p>The New York Times, Friday February 4, 1994</p>
<p>Der Standard, Vienna, 17 January 1994</p>
<p>The New York Times, Thursday January 13, 1994</p>
<p>Best exhibition designer, PAN award 1991, Frankfurt am Main, 14 October 1991 (&copy; archive peter noever)</p>
<p>Cover „Überblick“, Düsseldorf/Germany, September 1981<br />Note from the editor: "Hopefully Peter Noever is not angry with us for making his face poisonous, since he lives in vienna, the baroque pearl on the danube, the city where waterworks supposedly want to switch completely to "heurigen" (wine) and know no poison problems. On the other hand, he can't be angry with us at all, since he vehmently advocates sensory thinking with his posters - that only works with <em>in copore sano</em>." (Excerpt from: ©️ peter noever, poster "design is thinking", Vienna 1980) </p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
<p>“Colour Blocking – Sculptures in Public Space” on www.whenwherewh.at</p>
 

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